Capitol Studios: A short intro

Jun 6, 2010

I love my space at Capitol Studios.

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There’s a lot of history buried in the details of this building.  The frieze, the floors, the walled-over bones of the original structure.  Originally erected in 1923 along the Los Angeles river, the name of the architect has apparently been lost.

It operated as a diesel school for a time, then became the pressing plant for Capitol Studios.  Exactly when is unclear, but it was sometime between the years of 1942 and 1946.

OUR HOSUE

1956 was the year Capitol Records centralized their operations, combining a New York office, the Hollywood data processing office, and other distribution offices into the famous Capitol Records Tower in downtown Los Angeles.

CAPITOL OLD

This is a promotional booklet for the new and innovative Capitol Records building.

CAPITOL IX2

The pressing plant is featured, but at this point in time there were two active US plants, the Scranton Pennsylvania plant mentioned above, and the California plant on the border of Glendale and Los Angeles.  We can’t really tell if that’s our building or the Pennsylvania plant from the photos above.

So what records came out of our building?  Lots of Sinatra.  Lots of Bing Crosby.  And lots of Beatles.  This is an image of a pristine, sealed Beatles record, certified to have come from the Glendale plant.

BEATLES STORY2

How do you know?  There’s a symbol every pressing plant marks its product with. This is the Glendale mark, a starbust, repping Hollywood:

     \  |  /

      \ | /

   —-   —-  Los Angeles, CA

      / | \

     /  |  \

Compare it to the Scranton mark:

       / \   

      / I \     Scranton, PA

     / A M \

     ——- 

The I A M is not an illuminati hippie doo-dah transcendent moment… it stands for the International Association of Machinists, the union working in Scranton’s pressing plant.

They all had to find new jobs when Scranton closed in 1973, leaving our plant and one in Jacksonville, Illinois to press Capitol’s vinyl.

The equipment used to manufacture these records were extremely well made.  A signature of Capitol Records:  sophisticated perfection in every detail.

CAPITOL PIX

The Los Angeles plant closed sometime around 1986.  The equipment was sold to RTI, a company who specialized in custom records for organizations with enough money to immortalize their thoughts, songs, recordings, teachings, thetan warnings… wait, what?

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And there’s more to discover about the Capitol Studios building.  We’re still stripping layers of paint down to the original 20’s rosy wood and uncovering building relics in attics and behind walls…

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Yes We Kanji

Jun 6, 2010

Hearts to you, Japanese ingenuity!  This tiny island the size of California fosters idiosyncratic thinking like no other region on Earth!  As sea monsters are essentially alien creatures, and Japan is surrounded by them, it stands to reason that their art, culture, and manner are so unlike anything else on Earth.

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Adrift in the ocean, bred in solitude for years, the Japanese have suffered the blight of humanity’s deepest social fear, atomic warfare.  They’ve rebuilt their nation as a leader in technology, leeching parts of other cultures, but retain an essential Japanese-ness.

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This Japanese-ness is defined by what they do embrace and what they do not embrace.  Even within their own society, there are strict social rules and defined roles to play.  But from this rigidity comes a playful creativity, innocent in its perversity.  And perverse in its innocence.

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Case in point:  These fabulous Kanji creatures, Mojibakeru!  They’re 3D toys of Japanese kanji characters, anthropomorphized to physically emulate the animal they represent.  A physical kind of concrete poetry, these toys live in a space Roman-character readers can never access.  I found these toys on my favorite blog, Pink Tentacle.

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These toys touch meaning, language, play, hi-concept artistry, and basic attention to detail and craftsmanship.  Japan sends another genius creation out into the world as if it were only child’s play.*

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*I hereby offer myself as a companion to any travelers to Japan.  You buy tickets & provide lodging.  I’ll translate, order our food, and talk incessantly about the history of the country.  Not included:  navigation skills.  Trust.  Not included.

The Battle of the Century Is Taking Place

Jun 6, 2010

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Behold, the best commercial ever created.

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It’s been blasting from my speakers nearly every day.

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We bug out to it.  We worm out to it.

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I watch it and re-watch it and replace the lyrics with moments of my life.

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It’s become a mantra, a repetitive calling, a background to my mind.

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The song, the emotion, the passion in the delivery.  It’s as though we’re right there on the grid, fearful for our lives, wishing to dear God we knew how to shoot, praying for salvation in the battle between gigantic worms and the human race.  Did I mention this baby won the very first Clio for computer animation?

Just look at these images from the second best commercial ever created:

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Mighty Richard Taylor of Tron fame, is the seminal designer and effects artist who directed this masterwork.

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Thank you Richard Taylor, for your mastercraft.  Please go to his website and view more of his amazing effects.

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My Heaven.